Green embedded the floor,

a sonic chlorophyll symphony

permitting the sunlight to sweep the immaculate eyes

of saintly columns.


Wet grass sounds like the cadence of caterpillars

who move like butter over leaves.

the rain revives the ground like a fizzing soda down your throat,

and the girl in the black and white dress

takes a picture with her camera necklace.

It is Wednesday and the grass

is cold, but gunshots break the ice.

snowball hole in ice



Fragile Freight

Her mouth flickered, sharp as razors

across the glass window

clouds rolled in in victory.

Snowy rooftops filtered past and

chimneys coughed a stormy blast.

Simple folk dwell within

golden shadows hide their sin.

The panic in the city lights

sweep her eyes at the fringe of night.

Red ribbons run through her pupils,

it’s alright – the moisture on her cheek

doesn’t mean she’s weak.

She feels dizzy in the moving cabin.

The conductor and she are alone,

staring out at the city’s bones.




Tranquil Champlain

A boat swings like a weather vane

on the flat blue glass. It turns

like a ballerina

dressed in white canvas and

wooden soled shoes.

She tip-toes and etches hull lines

in the glass like smoke

in her wake.

A man sits on an August heated dock,

watches the lake expand from dark blue to white,

from summer to winter

from East to West.

That boat swings like a needle,

’round the compass of his green-gray eyes.


End of Day

Your feet are tired, rough and bruised at the stern

Blue nail polish flakes into the bow of your socks,

you are like a snake shedding skin so you can heal.

Your shoulders ache, pinch at your neck

and squeeze your tendons

like jellyfish tentacles injecting poison.

All this time, the day moves

forward                   forward

swings back

like a pendulum.

I thought you wanted to start new.

Hop off here, pull that pendulum


feel no reverb.

After all this time, the day stains yellow.



A dark stream spills snake-wise over the streets’ hissing hot


The noon light reflects optical illusions,

like piano key towers,

ivory skyscrapers

and tall men with powers.

Most of the smokestacks

protrude from their and the city’s mouth

streaming with a harmony

hollowed of energy.

That dark stream sweeps the feet clean

and the men run faster

staring down at the hissing pavement

looking up at the black and white glass.

The noon light transfigures their image;

city and men.

They are shorter by dusk

and gone in the dark stream of night.



She still carries the old awning from territory to new territory.

Originally, the salt-sprinkled awning

brightened her face

when the sea sun glowed orange and splashed the canvas.

Now, the soot-covered awning

dims her olive skin, casts shadows

during the day.

At first sight, you would fold away


by her striking


under a flammable movable roof.

Second glances prevail and

reveal surprised, flared smiles.

The blackened awning drifts

with homemade electricity

sideways over her tarry hair

lingers for a while, as if delivering rain

like a cloud-

then, it stretches wide and blossoms

toward the sky to be refilled.

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It Stings and it Heals


Abalone, starfish, Rain –

I suppose I will permit them into the waves.


Before concrete arteries, oceans substituted in one large jar, the preserved animals

now kept under microscopes    decayed

smelling like pickles and chlorophyll.

From the backyard of Western Biological,

bookcases store vegetables in filing cabinets

under the Pacific saliva.

As many as 100 encyclopedias attempt to

combine and separate

worms, urchins, nudibranchs,


to make a Picasso into a sensical Dali,

but we all know boxes don’t make sense

in a fluid body.

Cell walls are permeable,

rooms you can enter, float to and fro

exchange energy that is needed. Whenever you please.

Sit on a bench and ponder how the ocean spray

covers barnacles, seals, and humans

when dissection rips and fragments lives

“telling them very profound words to understand.”

Salty saliva drips from our eyes and their slippery pores.

It stings and it heals.

White Stains

I’m too close.

I can’t close it.

The celestial dressing gown grows,

shoots looks of wisdom down on me.

My engine drums against my outstretched ribs;

bones pound at an angle,

they sharpen at the tongue of: harp strings;

their vibrations rip at my throat.

I can’t stop.

I can hear a mantra:

“Shine, you dark, dark skeleton.

Shine, you dark, dark star.”

My shapeless voice quivers and leaves

moonlight stains on the ears of flower buds.